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  #1151  
Old 04-30-2024, 10:26 PM
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This is fair, but it's not his job to say "this take is final one, I like it", but producer's job. We are not talking here about going for high notes such in Always outro or whatever, so if he can't do it he just can't.

Though hitting the notes is the least of problems nowadays in studio, pitch is very easy to adjust and to still sound very natural. Tone is the problem and I have a problem with his tone on random songs on 2020 for example.

It would be much easier if his tone was always same, but on some songs he goes very anti-nasal, dry, serious, spoken, whatever, but good. And on some, tone is really bad and then Shanks instead of getting another take, drowns that chosen take in reverb. Most obvious case in point now this snippet of Kiss the Bride, and before choruses of We don't run and Labor of Love.

Also, this is not to say it's the first or second take and Jon is just lazy or doesn't care. After documentary, at least this is evident as contrary to reality. But regardless, it can be 102nd take, it's not his job to pick and choose, but producers. And being the BFF, it's taking objectivity out. If Jon says yeah I really like this take, let's do it with this, ofc Shanks will nod his head. Also it's possible that he lacks judgement (or differs very much from mine), but I won't go again there
Jon co-produces the albums. It's up to both of them. End of the day Shanks is who he is hired but both of their names are on there.
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  #1152  
Old 04-30-2024, 10:33 PM
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Yes, everything either comes down to how it's someone's fault that Richie isn't in the band anymore. "I'm mad at Jon, I'm mad at Shanks, every new song sucks, his voice is terrible" etc.

Over and over and over again.

It makes total sense to be disappointed, but Christ. Every single time there's a new ANYTHING, it's "Jon's voice is robotic, Jon can't sing, why don't they write a rock song again? Why don't they write a ballad like Always again?"

The negativity starts before a single note is heard of the new album because a vast majority of people here have unrealistic expectations that they have held onto since 1995.

It just gets really old. I'm venting because I was told that's what a message board is for.

Let's try to set a few ground rules.

1. These days, a Bon Jovi ballad will be in the vein of Story of Love /She's A Mystery etc for two reasons. That's the song Jon wants to write and release and that is also the only kind of ballad he can sing at this point.

2. They will never, ever, write a rock song again that will please or appeal to a majority of their 80's fans. At 62, Jon considers songs like Beautiful Drug and Living Proof etc rock songs. That's what you will get because of two reasons. He has no desire to write a "hard" rock song again and even if he did, he couldn't sing it well anyway.

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So bascailly you are saying no one should discuss anything unless we all have something positive to say!? Gotcha...

Do you really expect people not to discuss and give their opinions on clips of new songs?

And you really expecty people to watch the documentary and not discuss Jon/Richie/Shanks/Jon's voice. I mean, come on....
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  #1153  
Old 04-30-2024, 10:37 PM
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Originally Posted by bonjovi_cro View Post
This is fair, but it's not his job to say "this take is final one, I like it", but producer's job. We are not talking here about going for high notes such in Always outro or whatever, so if he can't do it he just can't.

Though hitting the notes is the least of problems nowadays in studio, pitch is very easy to adjust and to still sound very natural. Tone is the problem and I have a problem with his tone on random songs on 2020 for example.

It would be much easier if his tone was always same, but on some songs he goes very anti-nasal, dry, serious, spoken, whatever, but good. And on some, tone is really bad and then Shanks instead of getting another take, drowns that chosen take in reverb. Most obvious case in point now this snippet of Kiss the Bride, and before choruses of We don't run and Labor of Love.

Also, this is not to say it's the first or second take and Jon is just lazy or doesn't care. After documentary, at least this is evident as contrary to reality. But regardless, it can be 102nd take, it's not his job to pick and choose, but producers. And being the BFF, it's taking objectivity out. If Jon says yeah I really like this take, let's do it with this, ofc Shanks will nod his head. Also it's possible that he lacks judgement (or differs very much from mine), but I won't go again there
You have to realize that Shanks is hired by Jon to produce the albums. Therefore, Jon gets the final say..always! If Shanks says it's not good enough but Jon disagrees, guess what Jon wins. Because he pays the salaries.
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  #1154  
Old 04-30-2024, 10:43 PM
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You have to realize that Shanks is hired by Jon to produce the albums. Therefore, Jon gets the final say..always! If Shanks says it's not good enough but Jon disagrees, guess what Jon wins. Because he pays the salaries.
Yes, and this is the main principle-agent problem with older bands I suppose. It's not just Jovi's producer that is hired by the band (or band leader), but basically every band strong/popular enough not to be dictated a producer from record company.

Not to repeat myself, I think having an outsider (employee ofc) produce it gives more objective and professional tone to making a record. Quality of producing is then secondary topic.

But just to add, your last point is too extreme, cause Bob Rock was also paid by Jon, and band was obviously frustrated with some of the workflow. But producer did have final say, cause he was paid to have final say. This is my preference. But I agree, it is obviously not Jon's preference, because if it was, Shanks would be a band member, and producer would be some big shot who is not afraid of Jon, and Jon would not fire him but endure the process for the quality and legacy sake. One can dream though
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  #1155  
Old 04-30-2024, 11:20 PM
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because if it was, Shanks would be a band member, and producer would be some big shot who is not afraid of Jon, and Jon would not fire him but endure the process for the quality and legacy sake. One can dream though
You think Jon would rather have Shanks as his guitar player full time than his producer? Honestly, why?
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  #1156  
Old 04-30-2024, 11:25 PM
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You think Jon would rather have Shanks as his guitar player full time than his producer? Honestly, why?
You misread me (or I was not clear enough). I said:

it is obviously not Jon's preference, because if it was ... (and here I put that counterfactual, which I said would be my preference)

Does it make sense?
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  #1157  
Old 04-30-2024, 11:48 PM
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You misread me (or I was not clear enough). I said:

it is obviously not Jon's preference, because if it was ... (and here I put that counterfactual, which I said would be my preference)

Does it make sense?
I'm still not clear on what you're saying. You're not saying Jon but your prefrence would be Shanks as a band member and someone else producing? I think I got it now?
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  #1158  
Old 05-01-2024, 12:03 AM
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I'm still not clear on what you're saying. You're not saying Jon but your prefrence would be Shanks as a band member and someone else producing? I think I got it now?
In short, yes.

In long, endure me haha
I'm saying that I agree with others that scenario with no Shanks is not realistic. Also, scenario where Jon gives more control to outsider producer is not realistic, otherwise he would already have done it. But I can wish for that still.

If I need to endure Shanks around Jovi, I would rather one of two options. Either as band member only, or as a producer only (thus, leaving the creative process and songwriting to band and others, and dealing only with the band when it comes to studio, like traditional way). But those possibilities have sailed long ago, so I'm just venting I guess.

That's why I said, if it was by my preference, then Jon would hire an outsider who he would perhaps hate later, but would be prudent enough to endure one album cycle with him in relative charge and perhaps we get material that stands the test of time. Cause my main argument I guess the whole time is that I am very against an insider producing the album. Cause then it's basically Jon having his way with his pal and good friend, and everybody is too comfortable and homey.

On that, everybody is saying to me, but it must be like that because Shanks is hired by Jon. But, it doesn't have to be like that. It is like that, it doesn't have to be. It's different. Otherwise any other band in the world who hires a producer would always get their way and nobody would be forced or pushed a little beyond their immediate will in studio. Being an employee is not the same as being the best pal with the frontman. Dynamics are different.

That's why I say, if Shanks needs to be around because Jon wants him, I'd much rather he is in a band only, co-writing, etc.
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  #1159  
Old 05-01-2024, 01:31 AM
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Originally Posted by Thinny View Post
So bascailly you are saying no one should discuss anything unless we all have something positive to say!? Gotcha...

Do you really expect people not to discuss and give their opinions on clips of new songs?

And you really expecty people to watch the documentary and not discuss Jon/Richie/Shanks/Jon's voice. I mean, come on....
Discussing it is fine, but there is something to be said about making the same points ad nauseum.

If you are an 80"s rock fan and that's all you listen to Bon Jovi for, the band is no longer for you. The only thing that the band will give you now is disappointment.

If you are expecting ballads like Always, this band is no longer for you. It will only leave you with disappointment. If you are expecting/wanting Jon to change producers, the band is probably not for you anymore. It will only leave you with disappointment.

I just can't imagine hanging around somewhere and discussing a band that no longer brings you any enjoyment.

A majority of posters just seem to dislike a vast majority of what the band releases, or even what kind of person Jon is nowadays.

Isn't it tiring? Why not just say the band is not for me anymore and move on? Honest question.

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  #1160  
Old 05-01-2024, 02:10 AM
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Discussing it is fine, but there is something to be said about making the same points ad nauseum.

If you are an 80"s rock fan and that's all you listen to Bon Jovi for, the band is no longer for you. The only thing that the band will give you now is disappointment.

If you are expecting ballads like Always, this band is no longer for you. It will only leave you with disappointment. If you are expecting/wanting Jon to change producers, the band is probably not for you anymore. It will only leave you with disappointment.

I just can't imagine hanging around somewhere and discussing a band that no longer brings you any enjoyment.

A majority of posters just seem to dislike a vast majority of what the band releases, or even what kind of person Jon is nowadays.

Isn't it tiring? Why not just say the band is not for me anymore and move on? Honest question.

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Well I can only say in my name. I was away for a decade. Then, Jon's change due to vocal struggles, then new material, and most importantly, hope that voice will be back somehow, leaned me back in.

Perhaps some accumulated frustrations about certain aspects of modern decline are going out. Perhaps too much. I can acknowledge it's tiring for you to read some of these discussions. But then again, forum would be quite dead without much of it, you can always ignore it.

Since the beginning, I remember most diehard fans would regularly be also most critical. Perhaps it's also a cultural thing. I am always more vocal and critical about things close to my heart or preferences.

But to be clear, I get your point, my perspective also is to try and be more forgiving to the band in these last years, after 40+ years of existence. I am grateful if they go on tour once again, and I will go no matter the voice.

At the same time, I think its' reasonable to discuss counterfactuals or controversial aspects, especially as this seems the time of retrospection for the band and fanbase.

But to say band is no longer for somebody, well I do find i can live without modern Jovi output very much. But I also enjoy hope and anticipation, even one potentially good song (Living Proof) brings me joy. As does discussion about missed opportunities and unfulfilled potential with some of the others, why not
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